The museums at Exposition Park are a full day of looking at great artworks and wonders of science! The day started at the California African American Museum, highly recommended!, it is right off of S. Figueroa St. and Exposition Blvd.! This was the day after the opening of Sinners: Sounds That Summon which runs until March 14, 2027. Don’t wait until next year, just head down to the museum and see the other exhibits. In this case it was the last day of Willie Birch: Stories to Tell. It has moved on to New Orleans. The CAAM site is at: https://caamuseum.org/
Next to it is the California Science Center, good, interactive exhibits including Ecosystems and the Blackbird Exhibit and Garden. More info at: https://californiasciencecenter.org/exhibits. Soon to open is the Samuel Oschin Air and Space Center with its prominent silver building housing the Space Shuttle Endeavor. It opens on November 13th! It will feature a shuttle gallery, capsules and space modules in the Kent Kresa Space Gallery, and interactive exhibits about flying in the Korean Air Aviation Gallery. Lastly, there is the Orcas: Our Shared Future at the Natural History Museum of Los Angeles County. There is also the Dinosaur Hall and the African and North American Diorama Halls. The museum infromation is at: https://nhm.org/
The rainy day started at the California African American Museum. Outside is a statue, Wishing On A Star (2009) by Charles Dickson made of recycled metal and found metal objects. Inside the museum are trapezoid-shaped walls of every color. To the left is the Sinners: Sounds That Summon gallery based on the “I Lied to You” scene in Sinners (2025). Earlier this year, I went to the Warner Bros. Studio Tour to see the Sinners exhibit at Sage 48: Script to Screen, this had closed on April 30th. Also, the Sinners house at Halloween Horror Nights for Universal Studios Hollywood.
This exhibit, though, is free! There is a Curatorial Walkthrough on October 27th at 2-3 p.m. Also, CAAM Creatres with Design Hive on October 31st, 2-3:30 p.m. In Sinners, Sammie Moore (Miles Caton) plays his guitar at Club Juke. The opening of the movie had Annie (Wunmi Mosaku) explain, “the gift of music so true it can pierce the veil between life and death. Conjuring spirits from the past and the future.” Sammie sings his Blues song, “I Lied to You”, piercing the veil! The exhibit has in the front, the costumes of twins, Smoke and Stack (both played by Michael B. Jordan).
In between them in a case is Sammie’s 1932 Dobro guitar. Along the wall to the left is props like the Club Juke sign and the plantation scrip that had no value outside of the plantation. Next is the costume of Delta Slim (Delroy Lindo)and next to him is Annie’s green dress. I think there is some faint writing in white across her mid-section. On the wall behind the costume is a display case of the rigged gri-gris bag that Annie gave to Smoke. Finally, the costume of Sammie. There is a touch screen that gives details on the costumes by Ruth E. Carter and each costume puts a light on the specific costume.
Next to them is the costumes of the 80s D.J. with turntable and the Funk guitarist by the back wall. This is when the veil begins to break. It was great to see in the movie a costume that looks inspired by Bootsy Collins from the Parliament-Funkadelic collective. The wall continues with the long white shirts of the two West Coast Dancers. Across the back wall is the costume of B-Boy inspired by LL Cool J’s tracksuit and then the right wall has the red dress of the Contemporary Modern Dancer and the skirt and jacket of the Gen Z Twerkers. Note: all of the actor names are listed with their costumes.
A plaque behind them explained that twerking was recognized from the the bounce music from New Orleans in the 90’s. I learn something new every day. There are displays of traditional instruments including the xalam, a West African stringed instrument. There is a video with earphones with musicians playing the various instruments. Music pierced the veil in the Sinners movie, but the art of Willie Birch does the same. There were so many art pieces that caught my eye. One of them was Martin Luther King, McDonald’s, and Miami’s Burning (1989).
It had graphite and goache along with a paper-mache frame showing the uprising after the deaths of Clement Lloyd and Allan Blanchard in 1989. It has passers-by looking at a tv window showing Martin Luther King Jr. speech, news of the event, and McDonald’s, commercialism mixed with moments of history and tragedy. Another was painted paper-mache figures of school kids at a chalkboard, this is Knowing Our History, Teaching Our Culture (1992) from the Children’s Museum, Chicago. Powerful. Another was the sculpture of Spirit House (1993) that had painted papier-mache of a large, almost doll house with objects from artists, friends, and family.
In 1994, Birch moved to New Orleans and the Seventh Ward is his series from that time. It had Sunset: View from the Back of Dooky Chase Restaurant (2012) made with acrylic and charcoal. The series uses art to depict large, wall-sized images that looked like giant photographs to me! For Hurrican Katrina, Birch captured the flooding that was in August 2005 that made crawfish mounds that appeared in his neighborhood! Birch captured the mounds in bronze with Crawfish Dwellings (2013). I hope the gallery returns and that Willie Birch crafts new artwork. It was time to check out the Science Center, the rain was coming down, and it was great to see the SR-71 Blackbird out in the garden.
Then, entering the museum to see the F-20 fighter jet hoving above the escalator. I was recommended the Ecosystems: Extreme Zone exhibit which had an aquarium. I headed over to the Kelp Forest section which was downstairs on the other side of the second level. There was tanks of sea anemone, sea stars, and moon jellies. The large tank has fronds of kelp, fish, and a leopard shark. This won the 2012 Exhibit Award from the Association of Zoos and Aquariums. I made my way around the construction fences around the Natural History Museum and the soaked-shoes inside.
I then went to the register to get my ticket, $12, to the new Orcas: Our Shared Future exhibit. This was downstairs to a floor with an indegenous wood carved orca at the entrance. There was a map of the global distrubution of orcas. Also orcas in history with one of the earliest descriptions by Pliny the Elder in 77 CE. Then, an engraving shown of a sea monster with a wide mouth. This evolved to a a blunt headed fish monster by Conrad Gessner. Finally, a familiar looking orca from a scientific drawing by Johann Schreber. I found it fascinating to see how the orca could go from sea monster to actual animal.
A large room had full sized replicas of three Southern Resident orcas; Ruffles, Slick, and Scarlet. There were bluish screens with ocean sounds, but no whale sounds. The next room had a replica of an orca skeleton suspended from the ceiling. There were scientific facts about the orca's biology. More indegenous art followed including the story of the Chief of the Killer Whales taking a wife, Halda, to an underwater town. There was merch from sea parks like a souvenir tray MarineLand & Game Farm in Niagra Falls. I vaguely remember MarineLand of the Pacific which was in Rancho Palos Verdes. Orky and Corky were the orcas that performed there. It closed in 1987.
The orcas of the movies had displays of movie posters from Namu the Killer Whale (1966). I haven't seen that film, but I did notice it was produced by Ivan Tors, who also produced the show, Flipper. It was about a marine biologist who saves an orca from fishermen and then helps release it. I do remember the movie, Orca (1977), the year for cinema seems so pivotal, this one I think I saw on video cassette. The orca mother takes vengeance on the town after the death of her calf, Bo Derek had a cast on her leg which is chomped off by the orca, and then finally Richard Harris screams, "What in hell are you?!" I did not know that Michael Anderson directed the movie the year after he directed Logan's Run (1976)! This was followed by Free Willy (1993) which led to the Free Willy-Keiko Foundation.
The exhibit continued with the documentary, Blackfish (2013) that covered the orca Tilikum and the cpative whale industry. There was information on the orcas starting with Moby Doll, an orca accidentally caught in 1964 and displayed for one day at the Vancouver Aquarium. The following year, an orca was sold to the Seattle Aquarium to perform in the first killer whale show as Namu. Another orca was captured and sent to Seattle Aquarium, but the orca attacked Namu. SeaWorld in San Diego bought the orca, but could not use the Namu name, and instead called her Shamu (She-Namu). A very wet day from the rain, strange to come out of an aquarium, learn about orcas and then back in the rain. The Exposition Park museums are great places to see artwork, learn from aquariums, and exhibits!
#ExpositionPark, #CaliforniaAfricanAmericanMuseum, #SinnersSoundsThatSummon, #WillieBirchStoriesToTell, #MartinLutherKingMcDonaldsAndMiamiBurning, #KnowingOurHistoryTeachingOurCulture, #SpiritHouse, #SeventhWard, #SunsetViewFromTheBackOfDookyChaseRestaurant, #CaliforniaScienceCenter, #EcosystemsExtremeZone, #BlackbirdExhibitAndGarden, #SamuelOschinAirAndSpaceCenter, #SpaceShuttleEndeavor, #NaturalHistoryMuseumOfLosAngelesCounty, #OrcasOurSharedFuture









