Hadestown is a masterwork of myth and Jazz music, a love story redressed as an American tragedy set in the Depression. The film had a limited release on July 24th for five nights, but it has been extended, due to its popularity. The musical has music, lyrics, and book by Anaïs Mitchell. She played Eurdyice in a tour in 2006-2007. The singer/songwriter released her concept album, Hadestown, in 2010. It debuted on Broadway in 2019 and won eight Tonys. This including Best Musical and Original Score.
Also, Best Performance by an Actor in a Feature Role in a Musical, André De Shields, and Direction of a Musical and Best Choreography. Hadestown is of course based on the myth of Orpheus and Eurydice. One of the early renditions of the Orpheus and Eurydice myth was in the Georgics by Virgil in 29 B.C. Hadestown brilliantly combines the myth and explores it through song and a 1930’s Depression-era setting, though it is said, “don’t ask where or when.”
The movie is directed by Brett Sullivan who also directed Frozen: The Hit Broadway Musical (2025). This was filmed at the Lyric Theatre in London with the original Broadway cast in 2025. The camera moves to the theater and then has a behind-the-scenes of the actors preparing to go on stage. De Shields says to himself, “Slow and steady, calm and ready.” The stage itself has musicians at the upstage, left and right, with some chairs and tables for the ensemble.
In the center is the place for the Fates as chorus. Several chairs are in a semi-circle at center stage. The camera follows the actors on stage as the audience applauds. Great camera work that brings viewers from the actors to the stage. De Shields enters the stage and he kisses the heads of the seated leads. Above the stage is a balcony with two actors who look down at the stage. De Shields is stage left, dressed in a silver suit, and he unbuttons his jacket. It is like there is silence in the theater waiting for him to start the show.
There is a trumpet playing and Mister Hermes (De Shields) starts humming joined by the ensemble. De Shields starred as a Legend in the "Sunday" segement of the musical film, tick...tick...BOOM! (2021). Mister Hermes sings about the railroad line which is the “Road to Hell.” He sings that it was “hard times." Mister Miracle introduces “three old women”, The Fates; Bella Brown, Madeline Charlemagne, and Allie Daniel, all enter to audience clapping. The names of the Fates in Greek myth are Atropos, Clotho, and Lachesis.
They are dressed in grey like flappers, Jazz Age dancers, and also Greek robes. Mister Mercury sings, “And they was always singin’ in the back of your mind”, intriguing, not as Muses, inspiring people, but pushing towards destiny. He continues with his introductions next singing about a woman “With a suitcase full of summertime”, Persephone!, played wonderfully by Amber Gray. Gray played Gloria Valentine in the mini-series,The Underground Railroad (2021). Her performance reminds me of Eartha Kitt. She wears a green dress with ruffles and a white fur coat, a contrast to her husband.
Next, Mister Mercury introduces the “king of the mine” found at the end of the railroad line, Mister Hades, powerfully played by Patrick Page. Pike Phillips, was a part played by Page for the movie musical, In The Heights (2021). He has white hair and beard, a dark, fancy suit, a black boot that makes me think of the Faun from Pan’s Labyrinth (2006), and a silver shoe on the right foot. Hades was also known as the god of wealth as well as the underworld. It is interesting to see the gods formerly addressed as “mister”, a title for gentlemen.
Then, Mister Hermes introduces himself, "a man with feathers on his feet", a clever way to bring in the herald of the gods with his talaria, winged sandals, but especially here, I think it refers to his dancing! Mister Hermes weaves into and out of the narrative, as a guide and also observer to his tale. He sings, “It’s a sad song” which is picked up by the chorus. This is repeated over and over to make certain that the audience will know that the story will end in tragedy.
Still, the audience returns again and again to the story. Mister Hermes introduces the “hardest working” Chorus, men and women in brown and tan jackets and pants, colors that reflect the earth. Next, he introduces the band, they burst out in lively jazz. Mister Hermes calms everything down to introduce “a poor boy workin’ on a song”, Orpheus (Reeve Carney). In the supernatural series, Penny Dreadful, Carney portrayed Dorian Gray.
Orpheus wears a white shirt, brown suspenders and pants, he also has a red scarf. Only parts of his clothing aligns him with the chorus of regular folk. He is working as a busboy cleaning the tables. Mister Hermes explains that Orpheus' mother was his friend, in the myth, the Muse Callipe. He says the boy was "touched by the gods themselves." The phrase may mean mentally unbalanced, but here I think it is obsession, like the horror film, obsession to his music.
The boy sings, "La la la la la la..." This is the melody, parts of his song that he needs to complete, like Roger in the musical who is also writing one last song. The next person Mister Hermes brings into the narrative is a "young girl looking for something to eat", Eurydice, played by Eva Noblezada. The filmed musical, Miss Saigon: 25th Anniversary (2016) featured Noblezada as Kim. One of the themes is poverty and it is also an obsession.
Eurydice wears a dark brown coat, brown vest like the Chorus, with a gold and black scarf, and black shirt and pants, aligning her with Hades? Mister Hermes sings, “Thus begins the tale of Orpheus and Eurydice.” The music comes to a crescendo. The Fates sing a haunting “Ooooh…”, the beginning of “Anywhere the Wind Blows”, a melacholy beginning. Mister Hermes says, Eurydice was a “hungry young girl”, the hunger seems more than physical need for food, but an emptiness past her runaway life.
She places a candle down surrounded by the Fates. I get another image of the last candle for Mimi when she meets Roger in Rent (2005). Noblezada’s vocals are so strong. The candle is blown out by the wind of the Fates. Mister Hermes sings of Orpheus who unlike Eurydice is naive to the world so he took the boy under his wing. He tells Orpheus in "Come Home with Me" to talk to Eurydice and not come on strong. The music is just a gentle guitar. Orpheus sings and instantly tells her the title of the song, just awkward, but he is too taken with her! He sings along with the Chorus, not Orpheus alone, but in harmony.
Orpheus continues that he is “the man who is gonna marry you.” It’s almost a slap in the head moment at his headstrong comment! Eurydice tells him her name and he sings, “Your name is like a melody.” I see the same dynamic of worldly and naive romantic leads as Satine and Christian in Moulin Rouge! (2001). She says he is a singer. He adds that he also plays the lyre. In the myth, the lyre is given to Orpheus by Apollo. Eurydice remarks, "Oh, a liar and a player too." She says she's known too many men like him, but Mister Hermes says, "He's not like any men you've met."
Orpheus is encouraged by Mister Hermes to tell Eurydice what is working on. He tells Eurydice that he is working on a song and when sings it "Spring will come again." The promise of his song could fill her emptiness, but she is suspicious. This moves to the upbeat "Wedding Song", Eurydice sings calling Orpheus "lover." She sings about how he will get wedding rings with how life is difficult. He sings that when he sings his song, rivers will sing and "break their banks" to bring gold that they will turn to rings. Again, Eurydice sings about who is going to set their wedding table.
Orpheus sings that the trees will sing along laying their fruit on the table. The end of her hunger? Love the hint to the mythological Orpheus whose singing could make trees dance and move rivers. Eurydice wants him to sing his song and he sings the melody, "La-la-la-la-la-la." Still, it is unfinished. This impresses Eurydice and she tells him to finish the song. The missing part I see like Roger trying to sing "One Song Glory" in Rent. It is something that obsesses Orpheus completely that he loses sight, like Roger, of the most important part, Eurydice. He brings her a red carnation, the symbol of their love. Orpheus' scarf is the same color. The great costume designs are by Abhinav Singh.
Orpheus knows about the story of Hades and Persephone and Mister Hermes tells him to sing it in "Epic I." Persephone arrives to bring the party and summertime in "Livin' It Up on Top." She drinks heavily, not only to celebrate, but almost to wash away the sorrow of the underworld and Hades, an almost loveless relationship. Hades takes her away and Mister Hermes sings about Orpheus, "He could make you see how the world could be." Eurydice still is drawn back by her old life and temptations. The Fates tempt her in "A Gathering Storm" where Eurydice goes out for firewood. Mister Hermes blows a train whistle and we get the lively, "Way Down Hadestown." The Chorus sing about "Give me morphine in a tin." I think this is the addiction that is fatal to Eurydice.
Hades appears to sing, "Hey Little Songbird", tempting Eurydice and making her doubt Orpheus' song. He brings up the hardship fo the world, "See how the vipers and vultures surround you." The mythical Eurydice died by a viper bite. He offers the way out from the harsh world, an eternity in the underworld! He gives her coins which she places on her eyes, this is Charon's obol, the fee the ferryman takes to take souls across the River Styx. She descends on the turntable stage which also provides movement and dances. Orpheus has to brave the journey there and change Hades. This is a sad song, a tragedy, but we always return to it. Hadestown cuts into the heart of the Orpheus and Eurydice myth with song that makes the audience part of the narrative and experience this incredible show!
Five+ Carnations out of Five!
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